In Pusenkoff was nominated for the Kandinsky Prize. In the beginnings of his artistic career Pusenkoff was close to Appropriation Artsince the s he has increasingly turned to Abstract Art. His paintings are now dominated by color, line, and surface.
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These works in which he quotes from art history appear very catchy and "familiar", because the viewer already knows them in other contexts, such as the famous The Black Square by Kasimir Malevich. Pusenkoff also quotes or modifies, for example, works by Josef Albers Homage to Albers,Single or taken pictures quotes Rauschenberg Erased Rauschenberg,Piet Mondrian Mondrian 2, and other important artists of historical significance.
These works of Pusenkoff are to be understood and perceived as a statement about the present; cultural criticism takes immanently place in the image.
For Pusenkoff, good art is always also an artistic examination of the Zeitgeist. For him this means dealing with the upheavals of our time through the emergence of computers on an artistic level: "Pusenkoff is a conceptual painter in the sense that he doesn't work spontaneously and intuitively, but that a reflection on questions of image formation, perception, the original and painting in the media age is the basis of his art.
The room, which was not originally designed as an exhibition space, was dominated by a meter-long front window, which directed the viewer's gaze outwards and not to the exhibited works of art inside.
Pusenkoff developed an installation for this room in which the front window was covered by a suhl singles wall.
The works of art were then installed on this wall: "To block off an enormous windowfront, I built a wall measuring six meters high and 42 meters long. This surface was covered by 24 paintings, each two by two meters, as well as smaller copies of these arranged to a particular pattern. The whole resembled an endlessly unfolding molecular matrix.
Of major importance was the contrast between the space of the room and that of the window-wall. George Pusenkoff explains: "Actually, the picture was thus created for a very special place on this wall and became a key work for the entire installation.
Pusenkoff's art was therefore often compared single or taken pictures quotes Andy Warhols. Like Warhol, Pusenkoff also uses reproductions and sequences, uses bright colors, and thematizes the comprehensive availability of art objects in the media age.
Pusenkoff's theme, on the other hand, is the significance of painting as an antithesis to the computer-generated flood of images of the present: "I love painting," says Pusenkoff, and his entire oeuvre impressively testifies to this preference. He loads pictures from the Internet onto his computer, edits them using Photoshop single or taken pictures quotes, enlarges or reduces sections, erases them with a digital eraser, etc.
He then uses the computer to create his works. In the next work step a plotter produces films, in which the represented motif dissolved in light and dark, and the parts previously marked by Pusenkoff are pre-punched.
They are cut out of the foils and transferred to the canvas. The artist then applies eight to twelve layers of acrylic paintpartly mixed with sand, so that relief-like raised parts form in the picture. This technique of image processing is called Pochoir.
The picture shows the screen in detail with all the task bars. At the top is the title of the file Square, next to it the information that this image is displayed in the image editing software in the ratioso this image has the same size as the original.
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Below is information about how much space this file needs — 28 KB. Nothing in the picture reveals an artistic comment of any kind, it is a pure image of a user interface.
And yet it is not. By describing the computer interface as a "window," Microsoft unconsciously gives the computer the role that the panel painting had before the advent of mass media.
Already in the architect Leon Battista Alberti described in his work de pictura the painted picture as a "window to the world". The human being who processes, manipulates, distorts, brings images into other contexts and can share them with other users on the computer seems godlike.
He masters everything and is himself untouchable behind his computer. Pusenkoff's works irritate by imitating the screen surface. The viewer believes he sees a work of art that he can change and design. But in reality it is a painted picture that is unchangeable.
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This irritation is intended by the artist: "Moreover, I am sure that constant irritation is the main condition for the perception of any artistic language.
The virtual world does not reach it. There is a big difference whether one stands directly in front of a painted work of art, or whether one looks at virtual pictures on the computer.